stevie wonder songs in the key of life lyrics

Stevie Wonder brings "Songs in the Key of Life: Performance" to the some of Wonder's mystical musings in the lyrics irritated others. I am not sure if it was the song's rich texture, the lyrics, the integration of different languages or the spirit of unity in which it was. Stevie Wonder【 14 albums 467 lyrics 】: Stevland Hardaway Morris (born and albums such as Talking Book, Innervisions and Songs in the Key of Life.

Stevie wonder songs in the key of life lyrics -

How Stevie Wonder Created ‘Love’s in Need of Love Today’

When Stevie Wonder released “Songs in the Key of Life,” in 1976, some at Motown were uneasy. Two years had passed since his last album with the label, “Fulfillingness’ First Finale,” which had been No. 1 on Billboard’s pop chart for two weeks. “Songs,” by contrast, was a hefty double album with a four-song bonus EP that risked overwhelming the market.

“Songs” defied the naysayers. The album quickly reached No. 1, where it stayed for 13 weeks, remaining on the chart for 80 weeks in all. This week, Mr. Wonder is launching the second North American leg of his “Songs in the Key of Life” tour in Denver, then visiting several other Midwestern and Eastern cities before wrapping it up April 12 in New York. He performs “Songs” in its entirety and the album recently returned to the chart at No. 48. Last week, Mr. Wonder, 64, reflected on writing and recording the album’s opening song, “Love’s in Need of Love Today.” Edited from an interview:

Источник: https://www.wsj.com/articles/how-stevie-wonder-created-loves-in-need-of-love-today-1426603130

Who Is Stevie Wonder?

Stevie Wonder made his recording debut at age 11, becoming a 1960s force to be reckoned with via chart hits like "Fingertips, Pt. 2," "I Was Made to Love Her" and "My Cherie Amour." Over the next decade, Wonder had an array of No. 1 songs on the pop and R&B charts, including "Superstition," "You Are the Sunshine of My Life" and "Higher Ground." He continued to churn out hits into the 1980s, including "I Just Called to Say I Love You" and "Part-Time Lover." 

Early Life

Wonder was born Stevland Hardaway Judkins on May 13, 1950, in Saginaw, Michigan. He was born six weeks early with retinopathy of prematurity, an eye disorder which was exacerbated when he received too much oxygen in an incubator, leading to blindness. 

Wonder showed an early gift for music, first with a church choir in Detroit, Michigan, where he and his family had moved to when he was four years old, and later with a range of instruments, including the harmonica, piano and drums, all of which he taught himself before age 10.

READ MORE: How Stevie Wonder Lost His Sight

Motown Discovery

Wonder was just 11 years old when he was discovered by Ronnie White of the Motown band The Miracles. An audition followed with Motown founder Berry Gordy Jr., who didn't hesitate to sign the young musician to a record deal. 

In 1962, the newly renamed Little Stevie Wonder, working with Motown songwriter Clarence Paul, among others, released his debut The Jazz Soul of Little Stevie Wonder, an instrumental album that showed off the youngster's remarkable musicianship.

The same year he also released Tribute to Uncle Ray, where Wonder covered the songs of soul icon Ray Charles. Wonder then developed a major audience with Little Stevie Wonder the 12 Year Old Genius, an album recorded live. 

The set's edited single "Fingertips, Pt. 2" became Wonder's first No. 1 song, reaching the top of both the R&B and pop charts. 

Songs and Albums

"Uptight (Everything's Alright)"

Rather than rest on his laurels, the hard-working Wonder, who would go on to study classical piano, pushed to improve his musicianship and songwriting capabilities. 

After dropping "Little" from his stage name in the mid-1960s, he churned out the top 5 pop single "Uptight (Everything's Alright)," which reached No. 1 on the R&B charts. 

'For Once In My Life

Wonder scored two more No. 1 R&B hits with a cover of Bob Dylan's "Blowin' in the Wind" and the jubilant "I Was Made to Love Her," with the latter reaching No. 2 on the pop charts. 

The 1968 album For Once in My Life offered even more successful singles with the title track, "Shoo-Be-Doo-Be-Doo-Da-Day" and "You Met Your Match," with Wonder serving as co-writer on all three songs. 

'Signed Sealed Delivered'

The following year saw the release of My Cherie Amour, with the romantic top 5 pop/R&B title ballad as well as the top 5 R&B "Yester-Me, Yester-You, Yesterday." Wonder would remain a consistent hitmaker over the next two decades, with the artist co-producing 1970's Signed, Sealed, Delivered; the album featured the No. 1 R&B title track and a top 5 R&B cover of the Beatles' "We Can Work It Out." 

The '70s: An Acclaimed Decade

Due in part to innate talent, but also because of his deep commitment to his craft, Wonder faced the difficulty of staying relevant as a musician as he grew from boy to man, and his voice matured into a shining tenor. 

In 1971, Wonder negotiated a new contract with Motown that gave him almost total control over his records and greatly increased his royalty rate. It was an unprecedented concession by Gordy, but, artistically, just what Wonder needed. 

As the 1970s unfolded, the musician went through an unrivaled period of production. 1971's Where I'm Coming From, with its groovy top 10 single "If You Really Love Me," marked the first time Wonder had writing or co-writing credits for every song on an album. 

1972's Music of My Mind offered the top 20 R&B/top 40 pop single "Superwoman (Where Were You When I Needed You)," an emotionally rich jazz-soul opus that highlighted Wonder's pioneering work in synthesized/electronic sounds. 

"Superstition" and "You Are the Sunshine of My Life"

His 1972 album Talking Book offered two No. 1 hits, the jaunty funk jam "Superstition" and "You Are the Sunshine of My Life," a smile-inducing ode to love that exemplified Wonder's abilities as a romanticist. 

'Innervisions'

Next up was Innervisions, a meditative concept album that was simultaneously introspective, political, critical and full of wit. The record featured two socially conscious No. 1 R&B hits, "Higher Ground" and "Living for the City," as well as the humorous "Don't You Worry 'Bout a Thing," which reached No. 2 on the R&B chart. All three singles fared well on the pop charts as well. 

'Fulfillingness' First Finale'

Fulfillingness' First Finale, released after Wonder had survived a serious car accident that left him in a coma, displayed his trademark odes to romance and beauty while also looking squarely at spirituality and death. Wonder created a song that railed against President Richard Nixon—"You Haven't Done Nothin'," which reached No. 1 on both the pop and R&B charts and featured The Jackson 5. 

The sexy "Boogie on Reggae Woman" went to No. 1 on the pop chart as well, while the album tracks "Creepin'" and "They Won't Go When I Go" were eventually covered by Luther Vandross and George Michael, respectively.

'Songs in the Key of Life'

Even with this array of accomplishments, it was the double album with EP set Songs in the Key of Life that many have hailed as Wonder's most legendary project and one of the greatest records of all time. Offering a rich span of songs with genre fusions aplenty, Songs covered everything from ethnic diversity in the U.S. and fantastic utopian communities to vengeful relationships and transcendent love. 

Songs had two pop/R&B No. 1 singles, both uptempo: the Duke Ellington tribute "Sir Duke" and the back-in-the-day paean "I Wish." Wonder had additional top 40 hits with "Another Star" and "As," while the harmonica-laden "Isn't She Lovely," though not a charting single, nonetheless became a radio mainstay as it heralded the cherished birth of a daughter.

During this era, Wonder was working with other artists as well, including Minnie Riperton (the mother of Maya Rudolph) and the band Rufus, with Chaka Khan's vocals heard on the Wonder-penned top 5 track "Tell Me Something Good." 

Over the years, other artists struck gold with Wonder remakes, as seen with Aretha Franklin's No. 1 R&B cover of "Until You Come Back to Me (That's What I'm Gonna Do)." Among an array of honors, Wonder captured 15 Grammy Awards during the decade, with InnervisionsFulfillingness' First Finale and Songs in the Key of Life each recognized as album of the year.

'Journey Through the Secret Life of Plants'

By those incredible lofty standards, the 1980s weren't nearly as successful for Wonder. Still, he continued to be a huge musical force. He ended the '70s with the double album Journey Through the Secret Life of Plants, an avant-garde set for an unreleased botanical documentary, featuring the top 5 pop/R&B ballad "Send One Your Love." 

'Hotter Than July'

1980's Hotter Than July was a more succinct, commercial affair with the disco track "All I Do" as well as the No. 1 R&B hit "Master Blaster (Jammin')," a reggae-influenced tribute to Bob Marley, and the top 5 R&B, country-influenced number "I Ain't Gonna Stand for It." 

"Ebony and Ivory"

In 1982, Wonder teamed up with ex-Beatle Paul McCartney for the No. 1 U.S./U.K. single "Ebony and Ivory," a song promoting racial harmony that was featured on the McCartney album Tug of War

'Original Musiquarium I'

That same year, Wonder also released his greatest hits compilation Original Musiquarium I, which featured the No. 1 R&B/top 5 pop single "That Girl," as well as additional hits "Ribbon in the Sky" and "Do I Do," featuring Dizzy Gillespie. 

"I Just Called to Say I Love You

In 1984, Wonder released the soundtrack for the Gene Wilder film The Woman in Red, which featured contributions from Dionne Warwick as well as the top 5 R&B hit "Love Light in Flight" and the massive No. 1 pop single "I Just Called to Say I Love You." Like so much of Wonder's work, the song appealed to a wide audience, paving the way for it to become Motown's biggest international hit of all time. The single also won Wonder an Academy Award for best original song.

"Part-Time Lover"

Wonder released his next album, Square Circle, in 1985, which featured the historic track "Part-Time Lover," the first song to ever reach No. 1 on the pop, R&B, adult contemporary and dance charts. 

'Characters'

The album Characters was released two years later, featuring two No. 1 R&B hits—"Skeletons" and "You Will Know." In 1989, Wonder was inducted into the Rock and Roll Hall of Fame.

'Jungle Fever'

Wonder continued his soundtrack contributions with his work for the 1991 Spike Lee film Jungle Fever, starring Wesley Snipes and Annabella Sciorra. For the Jungle Fever album, Wonder composed three more top 10 R&B singles: "Gotta Have You," "Fun Day" and "These Three Words." 

'Conversation Peace'

A few years later, Wonder released Conversation Peace; its first single, the easygoing "For Your Love," reached the top 20 R&B and earned two Grammys in 1996, the same year he received the Grammy Lifetime Achievement Award.

Advocacy Work

In addition to his acclaimed artistry, Wonder has routinely tackled social issues through his music and appearances. 

He successfully spearhead a movement to create a national holiday recognizing the birthday of Dr. Martin Luther King Jr., a celebration he sang about in the track "Happy Birthday" from Hotter Than July. ("Happy Birthday" became a major U.K. hit as well, reaching No. 2.) 

Wonder had dedicated his Oscar win to anti-apartheid activist/future president Nelson Mandela and had performed on the No. 1 charity singles "We Are the World," to raise money for famine relief in Africa, and "That's What Friends Are For," with Warwick, Elton John and Gladys Knight, benefiting the American Foundation for AIDS Research (amfAR). 

Wonder has also been a longtime advocate for improving services for the blind and those with disabilities. In connection with the International Day of Persons With Disabilities, he was named a United Nations Messenger of Peace in 2009. 

In June 2013, Wonder continued his advocacy work when he announced he would make good on a promise to perform a concert in Marrakech for negotiators from the World Intellectual Property Organization when they agreed on an international treaty providing blind and visually impaired individuals around the world with more access to books. 

Honors

Following a 10-year hiatus, Wonder released the well-received A Time to Love in 2005, with guest appearances from India.Arie, Doug E. Fresh, McCartney, Bonnie Raitt and Prince, among others. Wonder also put out the concert DVD Live At Last: A Wonder's Summer Night in 2009.

In 2014, Wonder received the Presidential Medal of Freedom from President Barack Obama. The following year, the singer/songwriter/musician was paid tribute by a pantheon of performers on the telecast Stevie Wonder: Songs in the Key of LifeAn All-Star Grammy Salute, recognizing his classic 1976 album.

Later Music

Wonder occasionally surfaced with new music as he progressed through his late 60s, recording the Golden Globe-nominated single "Faith" with Ariana Grande in 2016, as well as the song "Future Sunny Days," specifically written for the 2018 finale of the hit series Scandal.

Personal Life

Wonder married fellow Motown singer/songwriter Syreeta Wright in 1970, divorcing two years later. A skilled lyricist, she worked with Wonder on hits like "Signed, Sealed, Delivered I'm Yours" and "If You Really Love Me," while he worked with Wright on her albums Syreeta (1972) and Stevie Wonder Presents Syreeta (1974). Wright died of cancer in 2004.

Wonder had his first child, Aisha, with Yolanda Simmons in 1975. His daughter was the inspiration for "Isn't She Lovely." The couple had a son, Keita, who was born in 1977. In 1983, he had a son, Mumtaz, with Melody McCulley. Wonder had a daughter, Sophia, and son, Kwame, with a woman whose name has not been publicized.

Wonder married Karen Millard Morris in 2001. The couple had two sons, Kailand and Mandla, before their divorce was finalized in 2015. Meanwhile, Wonder began a relationship with Tomeeka Robyn Bracy; the couple had two children, before tying the knot in 2017.

Источник: https://www.biography.com

Stevie Wonder: Songs in the Key of Life. The Minor Fall, the Major Lift Analytical Essay

It was 1961, and the world desperately needed their Stevie Wonder. Not that people already realized that it was Stevie’s voice that could fill the gap between the counterculture movement that was only starting to get a momentum, and the melancholy for the simpler and more heart-felt era of jazz that the 20ies and the 40ies were was growing. Blind and genial, Stevie gave the audience what they wanted, a touching child prodigy story and a bunch of even more moving songs.

Unlike one might have predicted, by the end of the 60ies and the beginning of the1970ies, the novelty of Stevie Wonder’s songs had not worn off; on the contrary, as Ribovsky remarked, “for the soul aficionado, the real sorcery of Stevie Wonder arose in and endures from the 1970ies, a decade he owned” (Ribovsky 3).

Songs in the Key of Life, Stevie Wonder’s album that was inspired by peaked higher than the sky and the title of which was “chosen as a canon and guidepost” (Ribovsky 261), is a perfect specimen of the singer’s oeuvre. With the help of the power of his singer’s and songwriter’s talent, Stevie Wonder managed to express the concern for the problems of the 1970ies,

Love’s in Need of Love Today and As

It comes as a big surprise that this is not another interpretation of I Just Called… Despite the similar beat and the same soothing melody, the song actually managed to hit the chord between a protest, a reproach and an encouragement for a change. The contrast between the soothing melody and a vision of a collapsing world is rather thought-provoking. Compared to this song, As offers a more romantic interpretation of longing for love, yet conveys the same idea.

Have a Talk with God

Making a connection to his previous message, Stevie Wonder suggests the way to right the wrongs of the world by having a talk with God. Rather naïve, yet also very touching song, it does sound a little preachy, yet for the time slot which it was intended for, it works perfectly well.

Village Ghetto Land, Isn’t She Lovely?, Black Man and Ebony Eyes

Of course, it would not be a Stevie Wonder album if it did not tell about the problem of peace from the point of the people who have been affected it most. Despite the mellow tone of the song and Wonder’s soft voice, the song actually came out as an eye-opener, shedding some light on the life of the African Americans in a typical American Black ghetto.

Even though some messages were too on-the-nose, like “Families buying dog food now”, the song is still a solid message about the key problems of the America of the 70ies. Conveying a similar idea, Ebony Eyes and Isn’t She Lovely? tell about the beauty that shines even through the mess of a ghetto, while Black Man considers the issue from a man’s perspective.

Contusion

Another message about the world peace, Confusion pins down the true reasons for all the world’s major troubles, and makes it obvious that the root of all people’s problems, both personal and political, is misunderstanding. It seems that at the times when the USA was in the confrontation with the USSR and Asia, the message concerning the importance of a compromise was more than relevant.

Sir Duke

A tribute to Duke Ellington, a famous jazz musician, Sir Duke seems to be a slight departure from the key theme of the album. In contrast to the previous songs, Sir Duke celebrates the pioneers in the American jazz music. At first sight, the song seems hardly related to the context of the entire album; in a retrospective, though, one will see that Sir Duke conveys the message that music can be the force uniting nations and solving conflicts.

I Wish

While Songs in the Key of Life are great for the most part, there is one problem about them, and this problem is the target audience. Despite being rather mellow and soft, the songs are mostly intended for the adults – and not just for adults, but for the ones who actually have some kind of power to change the existing political situation for better.

However, every rule has its exception, and here is the one for the Songs in the Key of Life. Though I Wish is not technically about children or for children, it makes the grown-ups travel back in time and remember themselves as kids. Therefore, the message of peace that the entire album is shot through becomes even more powerful.

Knocks Me off My Feet

Just when people thought that for once, they will get a strong album from one of the greatest performers in the soul.pop genre period, about social and political issues and the idea of humanity shooting the entire album through, a touch clichéd, but generally good chunk of music, there comes Knocks Me Off My Feet – a love songthat seems completely out of place here.

It can be considered a part of the grand scheme of spreading love all over the world, but that seems too big a stretch. Perhaps, Stevie wanted to enthrall the audience with a kind of a personal story that any person can easily relate to, but in the context of the socially charged song of the album, this one seems a bit out of place.

Pastime Paradise

When considering The Songs in the Key of Life, one will find it quite intriguing that the album is structured in a very specific way. The compositions that were supposed to come out as big hits did not come as a whole – there were quite a lot of lyrical fillers that allowed more meaningful artworks to breathe.

After a relaxing Knocks Me off My Feet,Pastime Paradise becomes even more meaningful and innovative. While the use of synthesizer made the song sound like a full string section, which was a great innovation at the time, the lyrics sound much like a direct reproach, which is quite unusual for Stevie’s oeuvre.

Making it clear that the 1970ies world lives in the realm of its own imaginary heaven, the singer warns that the price for this delusion is going to be very high. With Joy inside My Tears concerning the revelation of peace as a close follow-up, Pastime Paradise becomes all the more meaningful. Hence, the political situation of the 70ies shaped the album a lot (Perone).

Ngiculela – Es Una Historia – I Am Singing

One of the many questions that this song raises is why putting a Zulu word, a Spanish phrase and an English sentence, with each of three meaning completely different things. However, if diving into the song’s meaning, one will realize that this is another message about the necessity to stop fighting and become a single entity. Hence comes the title, which symbolizes the reconciliation of all nations.

If It’s Magic

With the world’s political leaders’ futile attempts at changing the situation for the better and using more peaceful means to solve the conflicts, If It’s Magic sounds like a reproach, asking people why they seek for brutal ways to confront their opponents.

Another Star and Saturn

Those two come as a whole, for they are based on the same social issue. While telling about living in a different reality, they hint at the issue of immigration, which was huge in the 60ies and 70ies.

All Day Sucker

All Day Sucker is another common call for love and peace. While offering nothing as remarkable as I am Singing, it is still a decent song.

Easy Goin’ Evening (My Mama’s Call)

The last, but definitely not the least song in the album, Easy Goin’ Evening allows to make the politically seasoned message more subtle and end the album on a light-hearted and whimsically romantic note.

Despite the fact that the present-day music industry seems to take over the original ideas of musicians and produce the processed music which is very easy to digest and which yet gives as little food for thoughts as little it says about the personality of the artist, Stevie Wonder’s legacy lives on, and the artist still manages to produce relatively solid artworks.

Though the present-day Stevie Wonder does not match the Stevie of the 1970ies – there is no I Just Called to Say I Love You there – it seems that the singer still retains the original style which was coined in 1973 as Songs in the Key of Life was released.

Managing to stay tuned into the tendencies of the modern R&B, pop and funk, Stevie still produces the music that has the charm of the 1973’s Songs in the Key of Life, and this is what the audience adores him for. After all, the melancholy for the simpler and more heart-felt era of funk that the 70ies were is growing.

Works Cited

Perone, James E. The Sound of Stevie Wonder: His Words and Music. Westport, CN: Greenwood Publishing Group. 2006. Print.

Ribovsky, Mark. Signed, Sealed, and Delivered: The Soulful Journey of Stevie Wonder. New York, NY: John Wiley & Sons. 2010. Print.

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Songs in the Key of Life, Stevie Wonder

For the first entry in my All-Time Greats series of album reviews, we’re going to talk about what I personally consider to be one of the greatest albums ever recorded: Stevie Wonder’s legendary 1976 double-plus-EP album Songs in the Key of Life. At just over 100 minutes in length, there is no shortage of material to discuss, let alone highlight favorites from, but I believe that this masterpiece deserves to have every last minute discussed, praised, criticized, and immortalized. Consisting of two LPs and a bonus “A Little Somethings Extra” EP, this record takes the listener on an unparalleled musical odyssey encompassing a cornucopia of musical styles, moods, and ideas. You’ll always discover something entirely new to love about this album almost every time you hear it all the way through, and there is simply so much artistic genius on display here that multiple listens are practically required. This record deserves every single bit of praise and adoration it has received over the years, and no matter how much I write about it, I’ll never really be able to do the music justice. But I might as well try!

The album opens with a slow-burning, soulful peace ballad, “Love’s in Need of Love Today.” It’s one of the album’s longer cuts, but every second is pure ear-candy. Beautiful vocal harmonies, subdued percussion, and gorgeous synthesizers populate this track’s patient but powerful runtime, gently easing the audience into the following experience in, dare I say it, wonderful fashion. Alright, I apologize, that was pretty terrible. I will refrain from any name-based puns for the remainder of this review. Anyways, the boundaries between organic and synthetic instrumentation is blurred constantly throughout this album’s runtime, with electronic instruments creating breathtaking, warm and organic-feeling soundscapes on the following tracks, “Have a Talk With God” and “Village Ghetto Land.” The former puts lyrics of faith and inspiration over an incredibly cool, hypnotic, gurgling keyboard track with the usual incredible backup singing, while the second sees Wonder singing solo about life in a poverty-stricken ghetto, calling for action regarding inner-city living conditions and lawmaker’s indifference towards the plights of marginalized populations facing such dire situations. What truly makes the track, however, is the fabulous synthetic string-section providing the track’s instrumentation. Miraculously, Wonder somehow manages to make fake strings work even better than real ones would have, and the result is an unforgettable slice of ear-pleasing and politically charged songwriting that would be the clear standout track on any other album. However, this is Stevie Wonder we’re talking about, so of course this is followed by yet another near-perfect track, the dizzying instrumental “Contusion.” Mike Sembello’s guitar playing on this track is just pure technical perfection, playing complex yet captivating solos and riffs throughout. The wordless vocals that come in about halfway through are also a great touch, making what would have been a nice instrumental interlude into an outstanding piece in its own right. The album then segues into “Sir Duke.” Dear. God. This freakin’ song. I can’t even begin to get across how stupidly happy this song makes me. Hell, it might just be my favorite out of all 21 of this album’s tracks. There are very, very few songs ever written that I would consider perfect, and “Sir Duke” is up there near the top of even that selective group. The lyrics are about Duke Ellington, but honestly I don’t really even care what the lyrics are about; they could be about anything and this song would still be absolute perfection. This is in that rare league of songs that are so damn happy they actually make me cry. I’m not ashamed to admit that this song gets me all choked up nearly every time I hear it. I seriously don’t think any other song I’ve ever heard has actually made me cry real tears of joy before. Maybe I’m just a mess, but this song just gets to me in the best possible way.

Side 2 kicks off with “I Wish,” a cool, groovy ode to childhood with a bassline to kill for. Stevie’s singing is flawless here, but then again, isn’t it always? After this is the calm, subdued ballad “Knocks Me Off My Feet.” We all know this by now, but I just need to say it again: Stevie Wonder’s chorus and hook-writing skills are almost completely unparalleled in the entire world of music. It may seem like I’m hyping his talents up a bit too much, but in all honesty I believe this guy to be one of the greatest songwriters of all time. I simply can’t stress enough how good he is at writing a moving, captivating, unforgettable song. “Pastime Paradise” is a trance-like rhythmic jam that makes you feel a bit disoriented, but definitely in a good way. I find this album somewhat exhausting to listen to sometimes for the simple fact that every single song is so damn good that there just isn’t any cooldown time. You don’t get a break, because the very next song is just as good, and then the next one after that, and so on. There are just too many incredible songs here. How he managed to write so many songs that are good enough to be any other artist’s defining song of their entire career, and put them all on the same album is just boggling to the mind. “Summer Soft” is one of the defining examples of how exhaustingly enjoyable this album can be to listen to sometimes. This album has a bit of a habit to create an awesome, goosebump-raising moment and then just hold you there, for an extended period of time. For example, in “Summer Soft,” we have the choruses, where he creates this incredible musical moment, and then escalates it, repeatedly, to an almost self-parodic degree, and the result is a song that’s so awesome it’s actually difficult to get through. And finally, the first LP is closed off with “Ordinary Pain,” a calmly depressing number with an energy-filled extended coda delivered by the incredibly vocally talented Shirley Brewer. After getting through these first 10 tracks, you may think to yourself “if I’m just under halfway through this thing, how could it possibly follow this up with anything even remotely up to the standard of quality this first group of tracks has set?” Well… let’s just say the second LP is more than up to that standard of quality. Oh boy, is it. You’re just too much, Stevie. Gimme a break with all this incredible music, man.

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The second LP is where Stevie really breaks out the big guns. Of the seven tracks on the LP, only two are under six minutes: that being “Ngiculela – Es Una Historia – I Am Singing,” a tri-lingual synthetic keyboard ballad, and “If It’s Magic,” a brief and haunting piece featuring only vocals and harp, played by Dorothy Ashby.  The LP starts with “Isn’t She Lovely,” a tear-jerking, ultra-heartwarming ode to his newly-born baby daughter. The song features an iconic harmonica line and some of the most impassioned vocals on the entire record, with the second half being occupied by homemade tape recordings of his daughter cooing, struggling to form words, refusing to get in the bath, and generally just being absolutely adorable. The following track, “Joy Inside My Tears,” is both one of the album’s most repetitive and moving cuts. The verse-to-chorus ratio on this one is definitely skewed, with a majority of the track consisting of a seemingly endless chant of the main chorus. On paper this may seem like it would get incredibly tiresome pretty quickly, but in execution, it only gets more profound and emotional with each repetition. Every time the chorus begins again, it seems to get more emotionally intense, which results in all six minutes of this track being some of the most deeply riveting you can find on this record. This is directly followed up with the longest track of the album, “Black Man,” at over eight minutes in length. This track features some of the record’s most potent and rousing political lyrics, consisting mainly of a list of scientific, historical and cultural achievements by people of color that have been largely swept under the rug and forgotten by your typical history class. This track somehow manages to make the listener happy and angry simultaneously, with the lyrics feeling like an incredible celebration of these people’s contributions to the world, but also demonstrating that a good number of these people’s names have been for the most part forgotten by the general population. Names such as Daniel Hale Williams, first person to perform a successful heart surgery, Garrett Morgan, inventor of the gas mask, and Crispus Attucks, first known person to die for the American flag, are listed off in succession, all with an accompanying unspoken question of why these are not names we are all familiar with. This song is truly a highlight on a record of highlights, standing out even next to the other excellent tracks on display.

Next up are the two sub-six-minute tracks mentioned earlier. While these two are great in their own right, they do still feel somewhat like interludes: simple warmups for the two slices of pure bliss to follow. “As” and “Another Star” are somewhat similar to each other, but by virtue of being back to back to each other, they serve as a sort of combined epic finale to the record. I tend to talk about the two as if they were one long song, because in my opinion they just beg to be listened to together. Both songs are over 7 minutes, and combined they are the ultimate fifteen-minute funky freakout to end the album proper. Don’t even start listening unless you plan on hearing the whole thing, because once you start, the driving, repetitive backup vocals and jamming instrumentals make it utterly impossible to pause. Truly, Stevie couldn’t have ended this journey in a better fashion. There are, however, four additional tracks found on the “A Little Somethings Extra” EP that was included with the album. Overall these tracks are of a high quality, with “Saturn” giving us a cinematic and dramatic ballad, “Ebony Eyes” providing a goofy romp of a love song that doesn’t take itself too seriously, “All Day Sucker” creating an incredible, groovy rhythm that begs to be danced to, and “Easy Goin’ Evening (My Mama’s Call)” ending the selection of bonus content with a relaxing, chilled-out instrumental that evokes a night spent with family, watching fireflies from the front porch. These songs are all great, but I wouldn’t consider them part of the album proper. They’re intended more as a little extra treat after the main course, and I think they serve that purpose beautifully.

A 100-minute album with no filler whatsoever is a rare thing indeed, but Stevie Wonder accomplished that feat and so much more with this masterpiece of a record. I’ve said just about all I have to say about this utter classic, so I’ll end this debut All-Time Greats review with this: yes, this album is long as hell, and yes, sitting down and listening to the whole thing is an undertaking, but I truly believe that every fan of music should take the time to accept this album into their listening repertoire. It’s a multi-faceted, emotional and joyous ride from start to finish, and Songs in the Key of Life gets the highest recommendation I can give.

What do you think of this album? I’d love to know, so please, leave your thoughts in the comments!

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Источник: https://deadtreehugger.com/2018/09/01/all-time-classics-1-songs-in-the-key-of-life-by-stevie-wonder-1976/comment-page-1/

Sir Duke Lyrics

Music is a world within itself
With a language we all understand
With an equal opportunity
For all to sing, dance and clap their hands

But just because a record has a groove
Don't make it in the groove
But you can tell right away at letter A
When the people start to move

They can feel it all over
But they can feel it all over people
They can feel it all over
They can feel it all over people, no, yeah

Music knows that it is and always will
Be one of the things that life just won't quit
But here are some of music's pioneers
That time will not allow us to forget now

For there's Basie, Miller, Satchmo
And the king of all Sir Duke
And with a voice like Ella's ringing out
There's no way the band could loose
Stevie Wonder - Sir Duke - http://motolyrics.com/stevie-wonder/sir-duke-lyrics.html
You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people
Yes I'll do, yeah, yeah

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people

You can feel it all over
You can feel it all over people
You can feel it all over
I can feel it all over, all over now people

Can't you feel it all over?
Come on let's feel it all over people
You can feel it all over
Everybody all over people, go

Источник: http://motolyrics.com/stevie-wonder/sir-duke-lyrics.html
A Place in the SunEnglish

Down to Earth (1966)

German
Greek
Turkish
Ukrainian
Ain't no lovin'English

For once in my life (1968)

All I DoEnglish

Hotter Than July

German
All in Love Is FairEnglish

Innervisions (1973)

Romanian
Russian
Serbian
AsEnglishRussian
Spanish
Turkish
As If You Read My MindEnglish

Hotter Than July

Russian
At lastEnglish

My chérie amour (1969)

Spanish
Big BrotherEnglish

Talking Book (1972)

Black ManEnglish

Songs in the Key of Life

German
Russian
Blame It on the SunEnglish

Talking Book (1972)

Russian
Serbian
Can’t Put It in the Hands of FateEnglishCash In Your FaceEnglish

Hotter Than July

Russian
Chemical LoveEnglish

Jungle Fever

Russian
Cold ChillEnglish

Conversation Peace

Russian
Come Let Me Make Your Love Come DownEnglish

Characters

Russian
Conversation peaceEnglish

Conversation Peace (1995)

Dark 'n' LovelyEnglish

Characters

Russian
Did I Hear You Say You Love MeEnglish

Hotter Than July

Russian
Do I Love Her?English

For Once in My Life (1968)

Do Like YouEnglish

Hotter Than July

Russian
Doing It WrongEnglishTurkish
Don't You Worry 'Bout A ThingEnglish

Innervisions

Dove vai?Italian

Dove Vai? (1968)

Each Other's ThroatEnglish

Jungle Fever

Russian
Ebony EyesEnglish

Songs In The Key Of Life

French
Russian
FaithEnglish

Sing: Original Motion Picture Soundtrack

Greek
Italian
Fingertips Part 2EnglishFor once in my lifeEnglish

For once in my life (1968)

Bulgarian
Chinese
German
Romanian
Russian
For your loveEnglishBulgarian
Dutch
Russian
FragileEnglishFreeEnglish

Characters (1987)

Bulgarian
Croatian
French
Greek
Serbian
Front LineEnglish

Stevie Wonder's Original Musiquarium I

Russian
Get ItEnglish

Characters

Russian
Girl BlueEnglish

Music of My Mind

Russian
Go HomeEnglish

In Square Circle (1985)

Portuguese
Golden LadyEnglish

Innervisions (1973)

Ukrainian
Gotta Have YouEnglish

Jungle Fever

Russian #1#2
Happy BirthdayEnglish

Hotter Than July (1980)

German
Greek
Hungarian
Arabic
Heaven Is 10 Zillion Light Years AwayEnglish

Fulfillingness' First Finale

German
Russian
Higher GroundEnglish

Innervisions

Croatian
German
Greek
Romanian
Russian
Serbian
Spanish
Arabic
I Believe (When I Fall in Love It Will Be Forever)English

Talking Book (1972)

I Just Called to Say I Love YouEnglish

The Woman in Red (1984)

Arabic #1#2
Azerbaijani
Bulgarian
Croatian
Dutch
French #1#2
Georgian
German #1#2
Greek
Hungarian
Italian
Macedonian
Persian
Polish
Portuguese
Romanian #1#2#3
Russian
Serbian
Spanish
Swedish
Thai
Turkish
Ukrainian
Tagalog (dialects)
I Love You Too MuchEnglish

In Square Circle (1985)

Portuguese
I Never Dreamed You'd Leave In SummerEnglish

Where I'm Coming From (1971)

Serbian
Turkish
I WishEnglishBosnian
Turkish
Persian
I'd be a fool right nowEnglish

For once in my life (1968)

I'm More Than Happy (I'm Satisfied)English

For once in my life (1968)

If It's MagicEnglish

Songs In The Key Of Life (1976)

Dutch
Italian
Swedish
Il sole è di tuttiItalian

Il sole è di tutti (1967)

French
Venetan
In Your CornerEnglish

Characters

Russian
Isn't She LovelyEnglish

Songs In The Key Of Life (1976)

Bulgarian
Croatian
French
Italian
Persian
Romanian
Russian
Serbian
Spanish
Swedish
Turkish
It's Wrong (Apartheid)English

In Square Circle

Russian
It's YouEnglishJesus Children Of AmericaGreek

Innervisions

Russian
Transliteration #1#2
Jungle FeverEnglish

Jungle Fever

Russian
Knocks Me Off My FeetEnglish

Songs In The Key Of Life (1976)

Croatian
Swedish
LatelyEnglish

Hotter than July

Russian
Spanish
Light my fireEnglish

My chérie amour (1969)

Living for the CityEnglish

Innervisions

Danish
French
German
Hungarian
Italian
Romanian
Turkish
Arabic
Love Light in FlightEnglish

The Woman in Red

Russian
Love's In Need Of Love TodayEnglish

Songs In The Key Of Life

Russian
Master Blaster (Jammin')English

Hotter than July

Greek
Spanish
Mi ayer, tu ayer, el ayerSpanishEnglish
Mi querido amorEnglishMi querido amor (My cherie amour)Spanish

Mi Querido Amor (1971)

Russian
Ms. & Mr. Little OnesEnglish

Natural Wonder

Russian
Music TalkEnglish

Up-Tight

Russian
My Chérie AmourEnglish

My Cherie Amour (1969)

French
German
Portuguese
Romanian
Russian
Turkish
My chérie amour (Italian)ItalianPortuguese
Russian
My GirlEnglish

I Was Made To Love Her

Russian
Never In Your SunEnglish

In Square Circle (1985)

Portuguese
Russian
Ngiculela - Es Una Historia - I am SingingEnglish

Songs in the Key of Life (1976)

Russian
One of a KindEnglish

Characters

Russian
OverjoyedEnglish

In Square Circle (1985)

French
Indonesian
Portuguese
Russian
Serbian #1#2
Spanish
Turkish
Arabic
Part-Time LoverEnglish

In Square Circle (1985)

Croatian
Dutch
French
Greek
Hungarian
Portuguese
Russian
Spanish #1#2
Turkish
Romanian
Passo le mie notti qui da soloItalian

Passo le mie notti qui da solo (1967)

Turkish
Pastime ParadiseEnglish

Songs In The Key Of Life (1976)

French
Persian
Romanian
Turkish
Ukrainian
PearlEnglish

My chérie amour (1969)

Por primera vez en la vidaSpanish

Por Primera Vez En La Vida (1968)

Russian
Ribbon In The SkyEnglish

Stevie Wonder's Original Musiquarium (1982)

French
Romanian
Russian
Spanish
SaturnEnglish

Songs in the Key of Life (1976)

German
Turkish
Se Tu Ragazza MiaItalian

Sanremo Music Festival (1969)

English
Sensuous WhisperEnglish

Conversation Peace

Russian
Shoo-Be-Doo-Be-Doo-Da-DayEnglish

For once in my life (1968)

Signed, Sealed, Delivered I'm YoursEnglish

Signed, Sealed and Delivered (1970)

German
Romanian
Serbian
Turkish
Sir DukeEnglish

Songs in the Key of Life (1976)

German
Romanian
SkeletonsEnglish

Characters

Russian
Smile PleaseEnglish

Fulfillingness' First Finale

Russian
So What The Fuss?English

A Time To Love (2005)

Russian
Turkish
Solo te, solo me, solo noiItalian

Solo Te, Solo Me, Solo Noi (1970)

English
Russian
Turkish
Someday at ChristmasEnglish

Someday at Christmas

French
Greek
Italian
Romanian
Spanish
Spiritual WalkersEnglish

In Square Circle (1985)

Portuguese
Russian
Stay GoldEnglishSwedish
Stranger on the Shore of LoveEnglish

In Square Circle (1985)

Portuguese
Romanian
Russian
SunnyEnglishSuperstitionEnglish

Talking Book (1972)

Croatian
French
German
Greek
Hungarian
Romanian
Serbian
Spanish
Turkish
Arabic
SuperwomanEnglish

Superwoman (Where Were You When I Needed You) [1972]

Take Up A Course In HappinessEnglish

Where I'm Coming From

Russian
That GirlEnglish

Stevie Wonder’s Original Musiquarium I

Russian
They Won't Go When I GoEnglish

Fulfillingness' First Finale (1974)

Russian
Think of me as your soldierEnglish

Where I'm Coming From (1971)

Russian
Travelin' ManEnglishTuesday HeartbreakEnglish

Talking Book (1972)

Un lugar en el solSpanishUptight (Everything's Allright)EnglishWeaknessEnglish

The Woman In Red

Russian
What Christmas Means To MeEnglishWhere Is Our Love Song (2020)EnglishDutch
WhereaboutsEnglish

In Square Circle (1985)

Portuguese
Russian
With Each Beat Of My HeartEnglish

Characters

Russian
Yester-me, yester-you, yesterdayEnglish

My chérie amour (1969)

Romanian
Russian
You and IEnglishSerbian
You and MeEnglish

My chérie amour (1969)

You Are the Sunshine of My LifeEnglish

Talking Book (1972)

Dutch
German
Greek
Hungarian
Italian
Portuguese
Turkish
You Haven't Done Nothin'English

Fulfillingness' First Finale (1974)

German
You met your matchEnglish

For once in my life (1968)

You Will KnowEnglish

Characters

Russian
Источник: https://lyricstranslate.com/en/stevie-wonder-lyrics.html
stevie wonder songs in the key of life lyrics

: Stevie wonder songs in the key of life lyrics

Stevie wonder songs in the key of life lyrics
Stevie wonder songs in the key of life lyrics
Stevie wonder songs in the key of life lyrics
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How babe-magnet Stevie Wonder lives his lyrics

Stevie Wonder practices what he preaches. One of our greatest love- song writers, composer of “My Cherie Amour” and “Signed, Sealed, Delivered I’m Yours,” recently fathered his ninth child — with a fifth woman.

“No one has been a greater advocate for the power of love in this world than I have, both in my life and in my music,” Wonder once said.

On the eve of the “Songs in the Key of Life” concert, airing Monday night on CBS, friends described his remarkable knack for finding pretty ladies. They say the 64-year-old Casanova met his fiancée, 40-year-old Tomeeka Robyn Bracy, with that same instinct.

“Like he does with all of the other women, they were at the same gathering and he smelled the kind of perfume she was wearing, she ipad air 1st generation case past him and he said she seemed light on her feet so she must be a pretty lady,” the source said.

Wonder himself has previously described how he meets women, saying that he was taken by his first wife, the late Syreeta Wright, because “she was fresh.”

He said he sensed her sexiness by touching the sleeves of her blouse.

“A lady that wears an expensive top, is not loud when she speaks and smells good, that’s how I know,” he said. “I know a lady of the world when I’m around her, so I really don’t need anyone to tell me she’s the one or she’s not.”

One former girlfriend, whom Wonder met in a Los Angeles church during Sunday worship, told The Post that the singer’s entourage helps as well.

“I mean look, he’s sitting in the pew right behind me. He’s Stevie Wonder. Later, I found out that one of his guys that were with him told him, ‘Wow, she’s got a nice butt and a face to match,’ ” she said.

“But, I remember him tapping me on the shoulder, and his pick-up line was asking me what was it that brought me to church. I said, ‘I’m here every single Sunday because I believe in God’ and he says that he could give me all of the things God has promised to give me, only I didn’t need to pray to him.”

Another ex-girlfriend, who dated the singer for nearly five years, said Wonder wooed her by repeatedly showing up at church, even staying late, stealing her heart by giving piano lessons and turning gospel songs into love songs.

“He’d change the words and insert my name and his name in there and he’d even talk about what he thought would be good baby names and how he’d buy the most fabulous of houses and how he knew I could help him to take care of himself and do his heart right,” she said. “So, naturally, it wasn’t hard to fall for.”

Wonder has been married twice but fathered children — aged two months to 40 — with five women. His first child, Aisha, was born in 1975 and became the subject walmart money card number hit song “Isn’t She Lovely.”
Even Wonder’s mom, who died in 2006, acknowledged some of her son’s antics.

“He’d pick out a woman like Diana [Ross], or Martha Reeves and, before they’d come into the building, he’d get someone to tell him what color dress they were wearing,” Lula Hardaway said.

“When they’d come in, Steve would run up to them and say, ‘I love that red dress. I love those black shoes,’ and they’d be stopped in their tracks.”

But Wonder would soon learn that Ross — who was having an affair with Motown Records founder Berry Gordy — was off-limits.

“He flirted, but when it came to Diana, we had to let him know that she was the boss’ woman and the boss doesn’t play,” said Levi Stubbs of the Four Tops.

Stacy Brown is the co-author of “Blind Faith: The Miraculous Journey of Lula Hardaway, Stevie Wonder’s Mother.”

Источник: https://pagesix.com/2015/02/15/how-babe-magnet-stevie-wonder-lives-his-lyrics/

Stevie Wonder Songs In The Key Of Life Review

By 1972, Steveland Hardaway Judkins was sick of the soubriquet 'Little' Stevie Wonder. Having showered Berry Gordy's Motown label with chart gold dust throughout the 60s the wunderkind finally took a leaf from the civil rights-related empowerment of black people in the USA and decided to make a stand (much as labelmate Marvin Gaye had). It was a blow for both personal freedom and the right to say something more than just "I love you'' through the medium of music. Threatening to leave the label, he gained the right to self-production (something that came easy to the musically precocious 22-year-old) and to make 'proper' albums. What followed was a stream of unsurpassed masterworks including Music Of My Mind (1972), Talking Book (1973), Innervisions (1974), Fulfillingness' First Finale (1975) and culminating with this sprawling double: The album that Stevie (and most of his fans) still regard as his defining statement.

Critical discourse often labels SITKOL as 'experimental'. And while 21st century ears may struggle to grasp what this collection of funk, soul, fusion and pop has that makes it deserve the tag, once you contextualise it becomes clear. Wonder's work, especially with the electronic pioneers, Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil), had been edging towards new forms of expressing black consciousness as well as eroding the boundaries of what 'soul music' could mean. But it was here that Stevie really pushed the envelope. The fecundity of his musical imagination simply beggars belief. While he grapples (and wins!) with just about every genre under the sun here it's never at the expense of the song and never gives the impression for a second that he's showing off. To this end, rather than doing it all himself, SITKOL has a massive supporting cast of stellar names to help him in the joyous task of simply making music; from Herbie Hancock to Minnie Riperton and George Benson, as well as less obvious session legends like pedal steel player, 'Sneaky' Pete Kleinow.

To sum up the breadth of this album (which also came with an extra EP to show how overflowing was the man's muse at this point) would take an essay. In short it contains the Weather Report-like fusion of Contusion, the classical spoofery and wry social commentary of Village Ghetto Land, the gospel progeny of As and Love's In Need Of love Today, the pure pop of Summer Soft.etc. etc. And as if to effortlessly demonstrate that he could still straddle the artistic/commercial divide, the album gave us a slew of hit singles including the boisterous Sir DukeI Wish and possibly the only cloying moment on the whole album, Isn't She Lovely.

It's Elton John's and George Michael's favourite album. Without it there'd be no Prince. It's continually listed as one of the best things in popular music. EVER. How much more do you need? If you don't own it, buy it tomorrow. Life, literally, isn't complete without it.

Creative Commons Licence This work is licensed under a Creative Commons Licence. If you choose to use this review on your site please link back to this page.

Источник: https://www.bbc.co.uk/music/reviews/j5p2/

When Stevie Wonder released his masterful album Songs in the Key of Life on Sept. 28, 1976, he was on an unparalleled creative streak that included his classic works Music of my Mind (1972), Talking Book (1972), Innervisions (1973), and Fulfillingness' First Finale (1974).

But Wonder was left unfulfilled. The veteran piano man talked openly of retiring from the music industry and traveling back to Ghana, where he felt his ancestral lineage could be discovered. Thankfully, he reconsidered his retirement plans.

After a contentious contract dispute with Motown Records, Wonder won the battle and secure himself an unprecedented 7-album, $13 million dollar deal and the promise of total creative freedom with his musical projects. The end result was Wonder’s magnus opus, Songs in the Key of Life, a brilliant narrative of the black experience.

The LP, which is often compared to Marvin Gaye’s classic 1971 album What’s Going On, featured some of the most incisive social commentary of the 1970s. Songs like "Love's in Need of Love Today,” "Village Ghetto Land" and “Pastime Paradise” addresses the plight of black America. On the funky, harmonica-driven "Have a Talk with God,” Wonder offers God as the antidote to the world’s despair.

But there are plenty of beatific tunes on the collection. Wonder celebrates parenthood on the joyous "Isn't She Lovely?" It’s Wonder’s daughter Aisha you hear splashing in the bathtub with her father in the background. The horn-blaring “Sir Duke” pays homage to the late composer Duke Ellington. The socially-conscious track “Black Man” honors black achievement in America and the infectious (also fan-favorite) "I Wish" finds Wonder reflecting on his childhood.

But no Wonder album wouldn’t be complete without his signature love ballads. The sunshiny “Knocks Me Off My Feet,” the anthemic “As" and the beautifully melodic “If It’s Magic” are sumptuous love songs that will touch your heart and soul. And if they don’t, then you need to check your pulse.

Over the years, Wonder’s Songs in the Keys of Life have influenced a generation of R&B singers sand rappers, many of whom grew up listening to the album on their parent’s phonographs. Artists such as 50 Cent, A Tribe Called Quest, Warren G, Coolio, Cassie, Rapper Big Pooh, Diddy, Erykah Badu, Snoop Dogg and many others have sampled tracks from this beautiful album.

To celebrate the LP's 40th anniversary, The Boombox gives you the Five Best Samples from Songs in the Key of Life. It's a testament to how much Stevie Wonder's masterful recording influenced hip-hop and R&B artists 40 years later.

  • 5

    "Ryder Music"

    50 Cent

    50 Cent sampled the soulful vocals heard on Stevie Wonder's urgent ballad "Love's in Need of Love Today" to create a song that's tailor-made for riding in your whip.

  • 4

    "Ghetto Village"

    Warren G

    Warren G sampled the Wonder's vocals and haunting synths from "Village Ghetto Land" for his G-funk track, "Ghetto Village." Much like Wonder's song, Warren G details the strife and strain of living in the ghetto.

  • 3

    "Just One Nite"

    Cassie Featuring Ryan Leslie

    Ryan Leslie masterfully sampled the melodic harp plays featured on Wonder's "If It's Magic" and turned "Just One Nite" into a danceable love song with Cassie singing come-hither lyrics to a potential lover.

  • 2

    "Footprints"

    A Tribe Called Quest

    A Tribe Called Quest deliver an infectious banger with their 1990 song, "Footprints." Listen closely for the horn sample from "Sir Duke," which appears in the beginning and throughout the track. Bonus sample: The song also uses Public Enemy's classic 1987 banger "Public Enemy #1" for its drum break.

  • 1

    "Gangsta's Paradise"

    Coolio Featuring L.V.

    Arguably, one of the best sampled songs in hip-hop history, Coolio's "Gangsta's Paradise" made him a bonafide pop star. The song borrows the melody and most of the lyrics from Stevie Wonder's 1976 song, "Pastime What is the capital of alaska usa Coolio won a Grammy for Best Rap Solo Performance for his efforts. Song trivia: In order for Coolio to use the sample, he had to remove the profanity on the demoed version per request by Stevie Wonder. "I had a few vulgarities.and he wasn't with that," recalls Coolio. "So I changed it. Once he heard it, he thought it was incredible." And the rest is Grammy-winning history.

Источник: https://theboombox.com/five-best-samples-stevie-wonders-songs-in-the-keys-of-life/
A Place in the SunEnglish

Down to Earth (1966)

German
Greek
Turkish
Ukrainian
Ain't no lovin'English

For once in my life (1968)

All I DoEnglish

Hotter Than July

German
All in Love Is FairEnglish

Innervisions (1973)

Romanian
Russian
Serbian
AsEnglishRussian
Spanish
Turkish
As If You Read My MindEnglish

Hotter Than July

Russian
At lastEnglish

My chérie amour (1969)

Spanish
Big BrotherEnglish

Talking Book (1972)

Black ManEnglish

Songs in the Key of Life

German
Russian
Blame It on the SunEnglish

Talking Book (1972)

Russian
Serbian
Can’t Put It in the Hands of FateEnglishCash In Your FaceEnglish

Hotter Than July

Russian
Chemical LoveEnglish

Jungle Fever

Russian
Cold ChillEnglish

Conversation Peace

Russian
Come Let Me Make Your Love Come DownEnglish

Characters

Russian
Conversation peaceEnglish

Conversation Peace (1995)

Dark 'n' LovelyEnglish

Characters

Russian
Did I Hear You Say You Love MeEnglish

Hotter Than July

Russian
Do I Love Her?English

For Once in My Life (1968)

Do Like YouEnglish

Hotter Than July

Russian
Doing It WrongEnglishTurkish
Don't You Worry 'Bout A ThingEnglish

Innervisions

Dove vai?Italian

Dove Vai? (1968)

Each Other's ThroatEnglish

Jungle Fever

Russian
Ebony EyesEnglish

Songs In The Key Of Life

French
Russian
FaithEnglish

Sing: Original Motion Picture Soundtrack

Greek
Italian
Fingertips Part 2EnglishFor once in my lifeEnglish

For once in my life (1968)

Bulgarian
Chinese
German
Romanian
Russian
For your loveEnglishBulgarian
Dutch
Russian
FragileEnglishFreeEnglish

Characters (1987)

Bulgarian
Croatian
French
Greek
Serbian
Front LineEnglish

Stevie Wonder's Original Musiquarium I

Russian
Get ItEnglish

Characters

Russian
Girl BlueEnglish

Music of My Mind

Russian
Go HomeEnglish

In Square Circle (1985)

Portuguese
Golden LadyEnglish

Innervisions (1973)

Ukrainian
Gotta Have YouEnglish

Jungle Fever

Russian #1#2
Happy BirthdayEnglish

Hotter Than July (1980)

German
Greek
Hungarian
Arabic
Heaven Is 10 Zillion Light Years AwayEnglish

Fulfillingness' First Finale

German
Russian
Higher GroundEnglish

Innervisions

Croatian
German
Greek
Romanian
Russian
Serbian
Spanish
Arabic
I Believe (When I Fall in Love It Will Be Forever)English

Talking Book (1972)

I Just Called stevie wonder songs in the key of life lyrics Say I Love YouEnglish

The Woman in Red (1984)

Arabic #1#2
Azerbaijani
Bulgarian
Croatian
Dutch
French #1#2
Georgian
German #1#2
Greek
Hungarian
Italian
Macedonian
Persian
Polish
Portuguese
Romanian #1#2#3
Russian
Serbian
Spanish
Swedish
Thai
Turkish
Ukrainian
Tagalog (dialects)
I Love You Too MuchEnglish

In Square Circle (1985)

Portuguese
I Never Dreamed You'd Leave In SummerEnglish

Where I'm Coming From (1971)

Serbian
Turkish
I WishEnglishBosnian
Turkish
Persian
I'd be stevie wonder songs in the key of life lyrics fool right nowEnglish

For once in my life (1968)

I'm More Than Happy (I'm Satisfied)English

For once in my life (1968)

If It's MagicEnglish

Songs In The Key Of Life (1976)

Dutch
Italian
Swedish
Il sole è di tuttiItalian

Il sole è di tutti (1967)

French
Venetan
In Your CornerEnglish

Characters

Russian
Isn't She LovelyEnglish

Songs In The Key Of Life (1976)

Bulgarian
Croatian
French
Italian
Persian
Romanian
Russian
Serbian
Spanish
Swedish
Turkish
It's Wrong (Apartheid)English

In Square Circle

Russian
It's YouEnglishJesus Children Of AmericaGreek

Innervisions

Russian
Transliteration #1#2
Jungle FeverEnglish

Jungle Fever

Russian
Knocks Me Off My FeetEnglish

Songs In The Key Of Life (1976)

Croatian
Swedish
LatelyEnglish

Hotter than July

Russian
Spanish
Light my fireEnglish

My chérie amour (1969)

Living for the CityEnglish

Innervisions

Danish
French
German
Hungarian
Italian
Romanian
Turkish
Arabic
Love Light in FlightEnglish

The Woman in Red

Russian
Love's In Need Of Love TodayEnglish

Songs In The Key Of Life

Russian
Master Blaster (Jammin')English

Hotter than July

Greek
Spanish
Mi ayer, tu ayer, el ayerSpanishEnglish
Mi querido amorEnglishMi querido amor (My cherie amour)Spanish

Mi Querido Amor (1971)

Russian
Ms. & Mr. Little OnesEnglish

Natural Wonder

Russian
Music TalkEnglish

Up-Tight

Russian
My Chérie AmourEnglish

My Cherie Amour (1969)

French
German
Portuguese
Romanian
Russian
Turkish
My chérie amour (Italian)ItalianPortuguese
Russian
My GirlEnglish

I Was Made To Love Her

Russian
Never In Your SunEnglish

In Stevie wonder songs in the key of life lyrics Circle (1985)

Portuguese
Russian
Ngiculela - Es Una Historia - I am SingingEnglish

Songs in the Key of Life (1976)

Russian
One of a KindEnglish

Characters

Russian
OverjoyedEnglish

In Square Circle (1985)

French
Indonesian
Portuguese
Russian
Serbian #1#2
Spanish
Turkish
Arabic
Part-Time LoverEnglish

In Square Circle (1985)

Croatian
Dutch
French
Greek
Hungarian
Portuguese
Russian
Spanish #1#2
Turkish
Romanian
Passo le mie notti qui da soloItalian

Passo le mie notti qui da solo (1967)

Turkish
Pastime ParadiseEnglish

Songs In The Key Of Life (1976)

French
Persian
Romanian
Turkish
Ukrainian
PearlEnglish

My chérie amour (1969)

Por primera vez en la vidaSpanish

Por Primera Vez En La Vida (1968)

Russian
Ribbon In The SkyEnglish

Stevie Wonder's Original Musiquarium (1982)

French
Romanian
Russian
Spanish
SaturnEnglish

Songs in the Key of Life (1976)

German
Turkish
Se Tu Ragazza MiaItalian

Sanremo Music Festival (1969)

English
Sensuous WhisperEnglish

Conversation Peace

Russian
Shoo-Be-Doo-Be-Doo-Da-DayEnglish

For once in my life (1968)

Signed, Sealed, Delivered I'm YoursEnglish

Signed, Sealed and Delivered (1970)

German
Romanian
Serbian
Turkish
Sir DukeEnglish

Songs in the Key of Life (1976)

German
Romanian
SkeletonsEnglish

Characters

Russian
Smile PleaseEnglish

Fulfillingness' First Finale

Russian
So What The Fuss?English

A Time To Love (2005)

Russian
Turkish
Solo te, solo me, solo noiItalian

Solo Te, Solo Me, Solo Noi (1970)

English
Russian
Turkish
Someday at ChristmasEnglish

Someday at Christmas

French
Greek
Italian
Romanian
Spanish
Spiritual WalkersEnglish

In Square Circle (1985)

Portuguese
Russian
Stay GoldEnglishSwedish
Stranger on the Shore of LoveEnglish

In Square Circle (1985)

Portuguese
Romanian
Russian
SunnyEnglishSuperstitionEnglish

Talking Book (1972)

Croatian
French
German
Greek
Hungarian
Romanian
Serbian
Spanish
Turkish
Arabic
SuperwomanEnglish

Superwoman (Where Were You When I Needed You) [1972]

Take Up A Course In HappinessEnglish

Where I'm Coming From

Russian
That GirlEnglish

Stevie Wonder’s Original Musiquarium I

Russian
They Won't Go When I GoEnglish

Fulfillingness' First Finale (1974)

Russian
Think of me as your soldierEnglish

Where I'm Coming From (1971)

Russian
Travelin' ManEnglishTuesday HeartbreakEnglish

Talking Book (1972)

Un lugar en el solSpanishUptight (Everything's Allright)EnglishWeaknessEnglish

The Woman In Red

Russian
What Christmas Means To MeEnglishWhere Is Our Love Song (2020)EnglishDutch
WhereaboutsEnglish

In Square Circle (1985)

Portuguese
Russian
With Each Beat Of My HeartEnglish

Characters

Russian
Yester-me, yester-you, yesterdayEnglish

My chérie amour (1969)

Romanian
Russian
You and IEnglishSerbian
You and MeEnglish

My chérie amour (1969)

You Are the Sunshine of My LifeEnglish

Talking Book (1972)

Dutch
German
Greek
Hungarian
Italian
Portuguese
Turkish
You Haven't Done Nothin'English

Fulfillingness' First Finale (1974)

German
You met your matchEnglish

For once in my life (1968)

You Will KnowEnglish

Characters

Russian
Источник: https://lyricstranslate.com/en/stevie-wonder-lyrics.html

Who Is Stevie Wonder?

Stevie Wonder made his recording debut at age 11, becoming a 1960s force to be reckoned with via chart hits like "Fingertips, Pt. 2," "I Was Made to Love Her" and "My Cherie Amour." Over the next decade, Wonder had an array of No. 1 songs on the pop and R&B charts, including "Superstition," "You Are the Sunshine of My Life" and "Higher Ground." He continued to churn out hits into the 1980s, including "I Just Called to Say I Love You" and "Part-Time Lover." 

Early Life

Wonder was born Stevland Hardaway Judkins on May 13, 1950, in Saginaw, Michigan. He was born six weeks early with retinopathy of prematurity, an eye disorder which was exacerbated when he received too much oxygen in an incubator, leading to blindness. 

Wonder showed an early stevie wonder songs in the key of life lyrics for music, first with a church choir in Detroit, Michigan, where he and his family had moved to when he was four years old, and later with a range of instruments, including the harmonica, piano and drums, all of which he taught himself before age 10.

READ MORE: How Stevie Wonder Lost His Sight

Motown Discovery

Wonder was just 11 years old when he was discovered by Ronnie White of the Motown band The Miracles. An audition followed with Motown founder Berry Gordy Jr., who didn't hesitate to sign the young musician to a record deal. 

In 1962, the newly renamed Little Stevie Wonder, working with Motown songwriter Clarence Paul, among others, released his debut The Jazz Soul of Little Stevie Wonder, an instrumental album that showed off the youngster's remarkable musicianship.

The same year he also released Tribute to Uncle Ray, where Wonder covered the songs of soul icon Ray Charles. Wonder then developed a major audience with Little Stevie Wonder the 12 Year Old Genius, an album recorded live. 

The set's edited single "Fingertips, Pt. 2" became Wonder's first No. 1 song, reaching the top of both the R&B and pop charts. 

Songs and Albums

"Uptight (Everything's Alright)"

Rather than rest on his laurels, the hard-working Wonder, who would go on to study classical piano, pushed to improve his musicianship and songwriting capabilities. 

After dropping "Little" from his stage name in the mid-1960s, stevie wonder songs in the key of life lyrics churned out the top 5 pop single "Uptight (Everything's Alright)," which reached No. 1 on the R&B charts. 

'For Once In My Life

Wonder scored two more No. 1 R&B hits with a cover of Bob Dylan's "Blowin' in the Wind" and the jubilant "I Was Made to Love Her," with the latter reaching No. stevie wonder songs in the key of life lyrics on the pop charts. 

The 1968 album For Once in My Life offered even more successful singles with the title track, "Shoo-Be-Doo-Be-Doo-Da-Day" and "You Met Your Match," with Wonder serving as co-writer on all three songs. 

'Signed Sealed Delivered'

The following year saw the release of My Cherie Amour, with the romantic top 5 pop/R&B title ballad as well as the top 5 R&B "Yester-Me, Yester-You, Yesterday." Wonder would remain a consistent hitmaker over the next two decades, with the artist co-producing 1970's Signed, Sealed, Delivered; the album featured the No. 1 R&B title track and a top 5 R&B cover of the Beatles' "We Can Work It Out." 

The '70s: An Acclaimed Decade

Due in part to innate talent, but also because of his deep commitment to his craft, Wonder faced the difficulty of staying relevant as a musician as he grew from boy to man, and his voice matured into a shining tenor. 

In 1971, Wonder negotiated a new contract with Motown that gave him almost total control over his records and greatly increased his royalty rate. It was an unprecedented concession by Gordy, but, artistically, just what Wonder needed. 

As the 1970s unfolded, the musician went through an unrivaled period of production. 1971's Where I'm Coming From, with its groovy top 10 single "If You Really Love Me," marked the first time Wonder had writing or co-writing credits for every song on an album. 

1972's Music of My Mind offered the top 20 R&B/top 40 pop single "Superwoman (Where Were You When I Needed You)," an emotionally rich jazz-soul opus that highlighted Wonder's pioneering work in synthesized/electronic sounds. 

"Superstition" and "You Are the Sunshine of My Life"

His 1972 album Talking Book offered two No. 1 hits, the jaunty funk jam "Superstition" and "You Are the Sunshine of My Life," a smile-inducing ode to love that exemplified Wonder's abilities as a romanticist. 

'Innervisions'

Next up was Innervisions, a meditative concept album that was simultaneously introspective, political, critical and full of wit. The record featured two socially conscious No. 1 R&B hits, "Higher Ground" and "Living for the City," as well as the humorous "Don't You Worry 'Bout a Thing," which reached No. 2 on the R&B chart. All three singles fared well on the pop charts as well. 

'Fulfillingness' First Finale'

Fulfillingness' First Finale, released after Wonder had survived a serious car accident that left him in a coma, displayed his trademark odes to romance and beauty while also looking squarely at spirituality and death. Wonder created a song that railed against President Richard Nixon—"You Haven't Done Nothin'," which reached No. 1 on both the pop and R&B charts and featured The Jackson 5. 

The sexy "Boogie on Reggae Woman" went to No. 1 on the pop chart as well, while the album tracks "Creepin'" and "They Won't Go When I Go" were eventually covered by Luther Vandross and George Michael, respectively.

'Songs in the Key of Life'

Even with this array of accomplishments, it was the double album with EP set Songs in the Key of Life that many have hailed as Wonder's most legendary project and one of the greatest records of all time. Offering a rich span of songs with genre fusions aplenty, Songs covered everything from ethnic diversity in the U.S. and fantastic utopian communities to vengeful relationships and transcendent love. 

Songs had two pop/R&B No. 1 singles, both uptempo: the Duke Ellington tribute "Sir Duke" and the back-in-the-day paean "I Wish." Wonder had additional top 40 hits with "Another Star" and "As," while the harmonica-laden "Isn't She Lovely," though not a charting single, nonetheless became a radio mainstay as it heralded the cherished birth of a daughter.

During this era, Wonder was working with other artists as well, including Minnie Riperton (the mother of Maya Rudolph) and the band Rufus, with Chaka Khan's vocals heard on the Wonder-penned top 5 track "Tell Me Something Good." 

Over the years, other artists struck gold with Wonder remakes, as seen with Aretha Franklin's No. 1 R&B cover of "Until You Come Back to Me (That's What I'm Gonna Do)." Among an array of honors, Wonder captured 15 Grammy Awards during the decade, with InnervisionsFulfillingness' First Finale and Songs in the Key of Life each recognized as album of the year.

'Journey Through the Secret Life of Plants'

By those incredible lofty standards, the 1980s weren't nearly as successful for Wonder. Still, he continued to be a huge musical force. He ended the '70s with the double album Journey Through the Secret Life of Plants, an avant-garde set for an unreleased botanical documentary, featuring the top 5 pop/R&B ballad "Send One Your Love." 

'Hotter Than July'

1980's Hotter Than July was a more succinct, commercial affair with the disco track "All I Do" as well as the No. 1 R&B hit "Master Blaster (Jammin')," a reggae-influenced tribute to Bob Marley, and the top 5 R&B, country-influenced number "I Ain't Gonna Stand for It." 

"Ebony and Ivory"

In 1982, Wonder teamed up with ex-Beatle Paul McCartney for the No. 1 U.S./U.K. single "Ebony and Ivory," a song promoting racial harmony that was featured on the McCartney album Tug of War

'Original Musiquarium I'

That same year, Wonder also released his greatest hits compilation Original Musiquarium I, which featured the No. 1 R&B/top 5 pop single "That Girl," as well as additional hits "Ribbon in the Sky" and "Do I Do," featuring Dizzy Gillespie. 

"I Just Called to Say I Love You

In 1984, Wonder released the soundtrack for the Gene Wilder film The Woman in Red, which featured contributions bmo harris bank joliet hours Dionne Warwick as well as the top 5 R&B hit "Love Light in Flight" and the massive No. 1 pop single "I Just Called to Say I Love You." Like so much of Wonder's work, the song appealed to a wide audience, paving the way for it to become Motown's biggest international hit of all time. The single also won Wonder an Academy Award for best original song.

"Part-Time Lover"

Wonder released his next album, Square Circle, in 1985, which featured the historic track "Part-Time Lover," the first song to ever reach No. 1 on the pop, R&B, adult contemporary and dance charts. 

'Characters'

The album Characters was released two years later, featuring two No. 1 R&B hits—"Skeletons" and "You Will Know." In 1989, Wonder was inducted into the Rock and Roll Hall of Fame.

'Jungle Fever'

Wonder continued his soundtrack contributions with his work for the 1991 Spike Lee film Jungle Fever, starring Wesley Snipes and Annabella Sciorra. For the Jungle Fever album, Wonder composed three more top 10 R&B singles: "Gotta Have You," "Fun Day" and "These Three Words." 

'Conversation Peace'

A few years later, Wonder released Conversation Peace; its first single, the easygoing "For Your Love," reached the top 20 R&B and earned two Grammys in 1996, the same year he received the Grammy Lifetime Achievement Award.

Advocacy Work

In addition to his acclaimed artistry, Wonder has routinely tackled social issues through his music and appearances. 

He successfully spearhead a movement to create a national holiday recognizing the birthday of Dr. Martin Luther King Jr., a celebration he sang about in the track "Happy Birthday" from Hotter Than July. ("Happy Birthday" became a major U.K. hit as well, reaching No. 2.) 

Wonder had dedicated his Oscar win to anti-apartheid activist/future president Nelson Mandela and had performed on the No. 1 charity singles "We Are the World," to raise money for famine relief in Africa, and "That's What Friends Are For," with Warwick, Elton John and Gladys Knight, benefiting the American Foundation for AIDS Research (amfAR). 

Wonder has also been a longtime advocate for improving services for the blind and those with disabilities. In connection with the International Day of Persons With Disabilities, he was named a United Nations Messenger of Peace in 2009. 

In June 2013, Wonder continued his advocacy work when he announced he would make good on a promise to perform a concert in Marrakech for negotiators from the World Intellectual Property Organization when they agreed on an international treaty providing blind and visually impaired individuals around the world with more access to books. 

Honors

Following a 10-year hiatus, Wonder released the well-received A Time to Love in 2005, with guest appearances from India.Arie, Doug E. Fresh, McCartney, Bonnie Raitt and Prince, among others. Wonder also put out the concert DVD Live At Last: A Wonder's Summer Night in 2009.

In 2014, Wonder received the Presidential Medal of Freedom from President Barack Obama. The following year, the singer/songwriter/musician was paid tribute by a pantheon of performers on the telecast Stevie Wonder: Songs in the Key of LifeAn All-Star Grammy Salute, recognizing his classic 1976 album.

Later Music

Wonder occasionally surfaced with new music as he progressed through his late 60s, recording the Golden Globe-nominated single "Faith" with Ariana Grande in 2016, as well as the song "Future Sunny Days," specifically written for the 2018 finale of the hit series Scandal.

Personal Life

Wonder married fellow Motown singer/songwriter Syreeta Wright in 1970, divorcing two years later. A skilled lyricist, she worked with Wonder on hits like "Signed, Sealed, Delivered I'm Yours" and "If You Really Love Me," while he worked with Wright on her albums Syreeta (1972) and Stevie Wonder Presents Syreeta (1974). Wright died of cancer in 2004.

Wonder had his first child, Aisha, with Yolanda Simmons in 1975. His daughter was the inspiration for "Isn't She Lovely." The couple had a son, Keita, who was born in 1977. In 1983, he had a son, Mumtaz, with Melody McCulley. Wonder had a daughter, Sophia, and son, Kwame, with a woman whose name has not been publicized.

Wonder married Karen Millard Morris in 2001. The couple had two sons, Kailand and Mandla, before their divorce was finalized in 2015. Meanwhile, Wonder began a relationship with Tomeeka Robyn Bracy; the couple had two children, before tying the knot in 2017.

Источник: https://www.biography.com

A Wonder of an album and tour


Today, Stevie Wonder's "Songs in the Key of Life" is considered his best album, the apex of a burst of creativity in the 1970s that seemed as if it would never end.

Critics were divided at the time, but today most agree that "Songs" was the culmination of a breathtaking five-album musical arc for the Motown star that began with his 1972 album "Music of My Mind" and continued through "Talking Book," "Innervisions" and "Fulfillingness' First Finale."

The album's musical breadth was unprecedented, comprising jazz, classical, funk, soul and pop. In 2008, the BBC's Chris Jones wrote of the remastered CD: "Life, literally, is incomplete without it."

Now Wonder, backed by a very large band, brings his "Songs in the Key of Life Performance" show to The Palace of Auburn Hills on Thursday, part of an 11-city tour.

It was his idea to re-create the whole album in concert, Wonder confirmed in a wide-ranging interview with The Detroit News in which he discussed recording the album, his philosophy of music and plans for new music next year.

"I did it last year in L.A. for this thing we do every year to benefit the (children's charity) Houseful of Toys, so I thought, why not do 'Songs in the Key of Life' Performance," said Wonder, 64, by phone from Los Angeles. "It worked out pretty well! I'd thought about the idea years and years ago, long after I did the album. To do a complete work in concert is an exciting thing, and I see an album as being a work."

The double album wasn't appreciated by all upon its release Sept. 28, 1976. Robert Christgau, writing in the Village Voice, gave the album an "A" grade, praising the "wit, pace and variety" of the music, but some of Wonder's mystical musings in the lyrics irritated others. Stevie wonder songs in the key of life lyrics Lester Bangs called it "a holding action masquerading as a masterpiece."

But music fans bought "Songs" in such numbers after its release that it debuted at No. 1 on the Billboard album chart, only the third album in the chart's history to have done that. The singles "I Wish" and "Sir Duke" both went to No. 1, and the album sat at No. 1 on the Billboard R&B album chart for 20 weeks.

So far it's all raves on the concert tour, which premiered in New York earlier this month. It was, according to the New York Times, "a triumph," while the New York Daily News reviewer wrote that it showed why "Songs" is "an inspirational starting point for artists and listeners to this day."

What was Wonder's goal during the recording of "Songs"?

"The one thing that I wanted to bring out with 'Songs in the Key of Life' was that we all have experiences, but what are we going to do with them?" Wonder said.

'I think God uses my songs'

The 1970s were such a fertile, creative time for Motown's former "boy genius" that Paul Simon thanked him at the 1976 Grammy major rivers in north central plains of texas for not releasing an album the previous year, giving "the rest of us" a chance. Sure enough, a year later "Songs in the Key of Life" was named "Album of the Year" at the 1977 Grammys, one of three statuettes Wonder took home that evening.

In concert, the songs are not performed in the same order as on the album.

"It's somewhat different, because basically the idea is to end with 'Another Star,' " Wonder said. "I wouldn't end (the concert) with, say, 'Easy Goin' Evening,' it's too slow."

Born Stevland Morris in Saginaw in 1950, Wonder moved to Detroit with his family soon after, and was brought to Motown at age 11 by Ronnie White of the Miracles.

In 1963, crowned the "12-year-old boy genius" by his label (he was actually 13), Wonder recorded "Fingertips, Pt. 2" a single that sold 1.6 million copies. Throughout the '60s, he was a reliable hitmaker for Motown, spinning songs into music gold, including "Uptight," "For Once in My Life" and "Signed, Sealed, Delivered."

It seems incredible, looking at Wonder's run of 1970s masterworks, that Motown thought of dropping him in the late '60s. But apparently, they did.

"I heard a rumor that there was a meeting, thinking about letting me go at some point, but I don't think I was worried," Wonder said. "I've been blessed to be self-contained (musically), all of whatever I am is in me. I'm thankful for that. I was writing all along . I thought, 'OK, I don't want to stay in this Little Stevie Wonder box."

By 1975, when he was deep into recording "Songs in the Key of Life," Wonder was not only writing and performing at the highest level, but "Songs" was infused with an infectious optimism, a spirituality that seemed embedded in every chord progression. It was as if he had a direct pipeline to a higher power or muse nobody else could know.

Did it feel that way at bankofozark time?

"I don't think like that; I'm just doing it," Wonder said, laughing. "I don't think 'Well, I've got a connection with the spirit.' But he admits that he was channeling something, when he was recording the song "As."

"I was stuck on the middle part," Wonder said, humming the instrumental bridge. "That's all I had, the middle part. I didn't have any words there, I just had me doing that little sound. So much was going on in my life at the time and you know, things were kind of crazy. I was saying, 'This is nuts, how is this possible, how is that happening?' and then the words just kind of flowed out of me."

He speaks the app store region "We all know sometimes life's hates and troubles can make you wish you were born in another time and space, but you can bet your life times that and twice its double, that God knew exactly where he wanted you to be placed."

Did he ever want to be born in a different time? No, he was in the right place, Wonder says. He sings those middle lines in a gruff baritone, different from the usual sunny tenor, adding to the "message from another realm" feeling.

"I think God uses my songs that I write, that I get lyrics to, to tell me something," Wonder said. "To teach me a lesson, to help me. If I'm in some infantile place I need to grow from, then there's that lyric."

"As" was his late mother Lula Hardaway's favorite song, he confirms, his voice catching a bit, with emotion. "When she passed away, I did that song at the end (of her funeral), which was a challenge," Wonder said. "It just brought back how I felt when she passed away and I went to the hospital and saw her. I picked her up and held her in my arms, and I said, 'All this came from this woman, all of this came through her."

"As" includes harmony vocals that answer Wonder's repeated line "I'll be loving you" with fanciful possibilities: "until the dolphin flies and parrots live at sea"; "until the rainbow burns the stars out in the sky"; "until 8 times 8 times 8 is 4." On record, the harmony lines were sung by Wonder and backing singer Mary Lee Whitney.

In concert, his backing singers have to do it, and must need detailed cheat sheets to sing all those intricate lines correctly. "I don't remember it all!" Wonder admitted.

Some other highlights of "Song in the Key of Life":

■"Sir Duke," his irresistible, horn-laden tribute to Duke Ellington and big band music went to No. 1 on Billboard.

■ "Pastime Paradise." The addictive keyboard riff played by Wonder was picked up from J.S. Bach — it's the first lines of "Prelude No. 2 in C Minor." (The riff was later used by rapper Coolio in his "Gangsta's Paradise". )

■"Isn't She Lovely" showcased his baby daughter Aisha's infant cries. Thirty-nine years laterhis daughter Aisha Morris is one of his backup singers. During the New York concert, she held his youngest child, her half-sister, as she sang.

■"I Wish" with its joyful syncopation and engaging opening lyric — "Looking back on when I was a little nappy-headed boy"— also went to No. 1 on the Billboard charts.

■"Village Ghetto Land" also draws on classical music. The lyrics — written by Bobby Byrd — describe a rough, tattered neighborhood ("see the people lock their doors while robbers laugh and steal"), but a beautiful fugue-like synthesizer line subverts the ghetto narrative. There's a reason for that.

"When I worked on 'Songs in The Key of Life,' all those different experiences have a lot to do with the way it sounds, the influence of jazz and classical music," Wonder said.

"There was a woman who lived in our neighborhood, and every time there was a concert she'd dress up and go, she would sing opera …we were laughing at her. But she had consistently a very sweet spirit. That was her joy, she appreciated that music and she could play it all day. Just because some people could not relate to it, that didn't make it bad . it didn't make her 'bourgie,' it just was something that she appreciated.

"So when I did 'Village Ghetto Land,' I thought of her, living in an upper lower-class or lower middle-class situation, whatever you want to call that. But she was a woman who took care of her son, she was a single parent, she did the best that she could. Her son was always dressed properly, and she dressed up."

Plans for new music next year

After this run of "Songs in the Key of Life Performance" dates is done, Wonder is looking forward to finishing several new recordings in 2015, including an album titled "Through the Eyes of Wonder."

"It's not like 'Songs in The Key of Life,' but it's like, right now," Wonder said. "Obviously, there will be influences of me in it because I'm doing it, but also the influences of where we are in society, in the world, what's going on, what I'm experiencing and what I'm seeing."

He'll finish a "Gospel Inspired by Lula" recording with his mother before she passed.

"Then I want to do a stevie wonder songs in the key of life lyrics album," Wonder said. (The father of eight confirmed that he and girlfriend Tomeeka Bracy will welcome their second child early in December.

There's also the album he's working on with producer David Foster, interpreting his songs with a symphony orchestra. "That https m youtube com watch v oofsnsgkops will be called 'When the World Begins,' which is a song I wrote."

[email protected]

Stevie Wonder: "Songs in the Key of Life Performance"

8 p.m. Thursday

The Palace of Auburn Hills

Tickets: $29-$149.50 at Livenation.com, Palacenet.com, The Palace Ticket Stores and all Ticketmaster locations. Box office: call (248) 377-8601.

A few things about "Songs in the Key of Life"

■Michael Jackson, 17, watched Wonder in the studio in 1975 recording "Songs." "Stevie Wonder used to literally let me sit like a fly on the wall," Jackson told Ebony in 2007. "I got to see 'Songs in the Key of Life' get made, some of the most golden things."

■After two years of work, the album was officially released Sept. 28, 1976, and consisted of two discs, with a bonus EP and a sizable booklet. On Sept. 7, Wonder and Motown feted the album at a lavish press party at a Brookfield, Massachusetts, farm. Wonder made his entrance dressed in a cowboy outfit, on his belt buckle "No. 1 with a bullet." Instead of guns, the holster held two copies of the new album.

■Music fans loved the album, but it drew mixed reviews from critics. Robert Christgau, writing in the Village Voice, gave the album an "A" grade, praising the "wit, pace and variety" of the music, but some of Wonder's mystical musings in the lyrics irritated others. Rolling Stone's review was lukewarm, and Creem's Lester Bangs called it "a holding action masquerading as a masterpiece."

■ At the 1977 Grammys, there was a kerfuffle when there was technical trouble with a live remote of Wonder from Africa, where he was performing. At one point emcee Andy Williams cried out, "Can you see me, Stevie?" which led to universal hilarity the next day. It was Williams' last stint hosting the awards.

■ Along with his daughter Aisha Morris, Wonder's backup singers include Keith John, the son of R&B legend Little Willie John. For the new tour they are joined by six additional backup singers, and India.Arie is a guest singer as well.

■Elton John takes a copy of "Songs in the Key of Life" wherever he goes in the world, he told Rolling Stone. "For me, it's the best album ever made, and I'm always left in awe after I listen to it," John said. For Aretha Franklin, it's one of Wonder's best two albums, the other being "Music of My Mind."

Susan Whitall

Set list for "Songs in the Key of Life: Performance" Nov. 6 at Madison Square Garden, New York

"Love's in Need of Love Today"

"Have a Talk With God"

"Village Ghetto Land"

"Contusion"

"Sir Duke"

"I Wish"

"Knocks Me Off My Feet"

"Pastime Paradise"

"Summer Soft"

"Ordinary Pain"

"Saturn"

"Ebony Eyes"

"Isn't She Lovely"

"Joy Inside Stevie wonder songs in the key of life lyrics Tears"

"Black Man"

"All Day Sucker"

"Easy Goin' Evening (My Mama's Call)"

"Ngiculela — Es Una Historia (I Am Singing)"

"If It's Magic"

"As"

"Another Star"

Encore: "Superstition" (from the 1972 album "Talking Book")

Harmonica Man

"Isn't She Lovely" from "Songs in the Key of Life" features quite a bit of Wonder's harmonica playing, which it's easy to overlook in praising his songwriting, keyboard and vocal gifts. What influenced his playing, at such a young age?

"I listened to saxophone players, really," Wonder said. "I had the pleasure of meeting Toots Thielemans, who I think second harvest food bank valdosta ga one of the greatest harmonica players in the world. But it's not that I listened to him when I was growing up; I didn't know about him. When I heard his songs like 'Bluesette' and the various things he's written, I thought, 'Wow, this guy's incredible.' "

Some of the saxophone players he emulated included Hank Crawford from Ray Charles' band.

"For me, the harmonica is an instrument that's small enough you can take it anywhere." And as much as Wonder loves the blues, like Thielemans, he prefers the chromatic harmonica (used in jazz and pop) to the diatonic harmonica that's more common for blues players. "That's from being influenced by saxophone players and wanting to do the notes like they do them."

How does he keep his harmonica chops up?

"You have to kiss a lot," Wonder said, laughing. "I play harmonica almost every day. I'm a music lover so I like playing music, listening to music, creating music, I like all that stuff."

Susan Whitall

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Источник: https://www.detroitnews.com/story/entertainment/music/2014/11/13/stevie-wonder-songs-key-life-performance-palace-auburn-hills/19005761/
stevie wonder songs in the key of life lyrics

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Stevie Wonder - Songs In The Key Of Life (Side 1) - 1976 HQ Vinyl Rip - Technics 1200G / AT ART9

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